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Shadow Show

Edited Volumes

2015. Babayants, A., & Fitzsimmons-Frey, H. (Eds.).  Cambridge Scholars: Newcastle upon Tyne, England.

2017. Babayants, A., & Nolette, N. Theatre Research in Canada/Les Recherches théâtrales au Canada 38.2.

Scholarly Essays

2024 (accepted for publication) Babayants, Art.  Theatre Research in Canada/Les Recherches théâtrales au Canada,

Fall 2024.

2023 Babayants, Art, Peter Farbridge and Lisa Ndejuru.  Ed. Taiwo Afolabi Yasmine Kandil. Canadian Theatre Review. Ethics and Socially Engaged Theatre P. 41-45

Smert’ i chuma u Pushkina i Wilson’a. [Death and Plague in Pushkin’s and Wilson’s dramas]

1999. Babayants, A. Literatura. Pervoye Sentyabrya. # 10. Moscow

Gde skrulis’ khany, gde garem. Bakchisaraiskii Fontan. [Where did the khans hide? Where’s their harem? Pushkin’s The Fountain of Bakhchisarai]

1996. Babayants, A.  Literatura. Pervoye Sentyabrya. # 45. Moscow

Book Chapters

2023. Babayants, Art.  Eds Jo Angouri, Julie Kerekes and Minna Souni. Bristol: Multilingual Matters. Pp. 172-190

Homo Ludens – Common. Play. Grounds.

2020 Budde, Antje with Art Babayants.  A praxis report on workshop-making by the DDL squared at Coburg University of Applied Science, Germany 2019. Elfembeinturm oder Kultur für alle? Eds. Julieu Heiniche and Katrin Lohbeck. München, Germany: Kopaed. P. 111-143

Resisting the Monolingual Lens: Queer Phenomenology and Multilingual Dramaturgy

2019. Babayants, A.  Dramaturgy of Migration: Staging Multilingual Encounters in Contemporary Theatre. Ed.  Yana Meerzon and Katharina Pewny. Routledge.

Moments of Encounter: Canadian-Iranian Immigrant Theatre

2019. Babayants, A. & Moosavi, M.  Performing Canadian Frontiers. Theatre and (Im)migration. New Essays on Canadian Theatre. Vol 9. Ed. Yana Meerzon. Playwrights Canada Press.

The production of musicals in Russia at the turn of the twenty-first century: Navigating across socialism, capitalism, occidentalism and nostalgia.

2017. Babayants, A.  The Palgrave Handbook of Musical Theatre Producers. Eds. Willian Everett and Laura MacDonald. London: Palgrave. Pp. 459-465.

Pushkin i Wilson: komparativnoye issledovaniye. [Pushkin and Wilson: comparative investigation.]

1999. Babayants, A.  Pushkin i teoretiko-literaturnaya mysl’. Pod red. Yu. Boreva [Borev, Y. (Ed.). Pushkin and The Theory of Literature.]. 90-110. Moscow: Naslediye.

Book Reviews

2021. Yana Meerzon. Theatre Research in Canada. Vol. 43, No. 1. Pp. 137-139.

Staging Strangers

2018. Barry Freeman. New Theatre Quarterly. Vol. 34. Issue 2. P. 196.

Script Publications

2019. Toronto Laboratory Theatre.  Scripting (Im)migration. New Canadian Plays. Ed. Yana Meerzon. Playwrights Canada Press. Pp. 411-446**.**

In Sundry Languages

2019. Toronto Laboratory Theatre.  Canadian Theatre Review. Radical Hospitalities. Winter 2019. Pp. 31-45

Other

2019 Babayants, A. & Liebembuk, S.  Scripting (Im)migration. New Canadian Plays. Ed. Yana Meerzon. Playwrights Canada Press. Pp. 447-456.

The Tap Story: Tap-Dance was born in an African village [Istoriya stepa: Step rodils’ya v afrikanskoi derevne]

2005. Babayants, A. World Dance. Moscow

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